Study No.21

No.21 Floating Fifths

Centred on the E myxolydian mode and in 5/4 time, Floating Fifths creates a soundscape that features ascending, glissandi phrases and explores the range to as high as the 14th position. The hollow texture of 5th chords together with the rhythm create an evocative, floating sound.

To create the articulation in Bars 1 - 3, 9 -11 and so on, maintain even finger pressure as you glide up the strings then lightly release the pressure once you’ve reached the new chord to create the staccato effect. In phrases like bars 5 - 7 aim for a good contrast by an unbroken sound (legato articulation) and a softer tone.

Moving up the fretboard in big jumps can be awkward whilst reading; following the note the index-finger is playing is the most reliable guide to the position you are aiming for. The three-string chords in the ending section (bars 21 - 26) require a half-capo from the index-finger, including the final four-string shape.

Harmonically this piece typifies the progressive Rock style; mostly major-chord harmony and it doesn’t conform to a traditional key. The first eight bars centre on A myxolydian but this leads to a longer section based on E myxolydian. A myxolydian appears again in bars 21 - 23 but leads once again into E myxolydian, and then to an unexpected final cadence to a B major chord (the relative dominant of E).

Sonically this piece needs a bell-like clarity with some good reverb, perhaps combined with a delay effect. It was recorded on a 1950s Fender DuoSonic - an instrument noted for this kind of tone. Effects like subtle chorus, or flanger can also enhance the overall tonal shaping.

Though intended for plectrum work this is one of the studies in this set that suits exploring the finger style abilities of Electric guitar. Try using just the thumb, or combining thumb with index and middle fingers, in the traditional manner. The setting of the amp and guitar controls will play an important part in the effectiveness of this, but for a stronger, louder projection the pick will always work best.

Michelle Nelson